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We Are Family (Paperback)
Lucy Reynolds; Illustrated by Jenna Herman
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R287
R207
Discovery Miles 2 070
Save R80 (28%)
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Ships in 9 - 15 working days
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We Are Family (Hardcover)
Lucy Reynolds; Illustrated by Jenna Herman
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R323
Discovery Miles 3 230
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Ships in 12 - 17 working days
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A diverse range of leading scholars, activists, archivists and
artists explore the histories, practices and concerns of women
making film and video across the world, from the pioneering German
animator Lotte Reiniger, to the influential African American
filmmaker Julie Dash and the provocative Scottish contemporary
artist Rachel Maclean. Opening with a foreword from the film
theorist Laura Mulvey and a poem by the artist filmmaker Lis
Rhodes, the book traces the legacies of early feminist
interventions into the moving image and the ways in which these
have been re-configured in the very different context of today.
Reflecting and building upon the practices of recuperation that
continue to play a vital role in feminist art practice and
scholarship, contributors discuss topics such as how
multiculturalism is linked to experimental and activist film
history, the function and nature of the essay film, feminist
curatorial practices and much more. This book transports readers
across diverse cultural contexts and geographical contours,
addressing complex narratives of subjectivity, representation and
labour, while juxtaposing cultures of film, video and visual arts
practice often held apart.
An in-depth study of the expanding role of the moving image in
British art over the past thirty years Over the past three decades
the moving image has grown from a marginalized medium of British
art into one of the nation's most vital areas of artistic practice.
How did we get here? Artists' Moving Image in Britain Since 1989
seeks to provide answers, unfolding some of the
narratives-disparate, entwined, and often colorful-that have come
to define this field. Ambitious in scope, this anthology considers
artists and artworks alongside the organizations, institutions, and
economies in which they exist. Writings by scholars from both art
history and film studies, curators from diverse backgrounds, and
artists from across generations offer a provocative and
multifaceted assessment of the evolving position of the moving
image in the British art world and consider the effects of numerous
technological, institutional, and creative developments.
Distributed for the Paul Mellon Center for Studies in British Art
Social Marketing Casebook brings together for the first time a
dedicated collection of social marketing case studies and vignettes
from around the world. Each case study is explored from the scoping
and research stage right through to evaluation, providing the
reader with a complete overview of the most important building
blocks in social marketing and how these can be applied to the real
world, including: - Insights from the key people involved in social
marketing and the identification of the common themes associated
with successful social marketing strategies. - An international
range of cases from the health, environmental and civic sectors,
from national and governmental programmes to local, small-budget
interventions; - Comprehensive coverage of the whole process, from
strategy, and implementation, through to the challenges and lessons
learned; and - Academic exercises, discussion questions and
references to reinforce student learning. This book demystifies
social marketing for undergraduate and postgraduate marketing and
health studies students, as well as practitioners in government,
public institutions, NGOs and private organisations looking to
develop more effective social change programmes.
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